My practice explores the reinterpretation of American quilting traditions by investigating textile history and geometric pattern symbolism. My early exposure to sewing as a child paved the way for a journey combining quilt-making with improvisation, contrast, and repeat patterns. I draw inspiration from the vibrant natural landscapes of South Florida, weaving the colors, textures, and structures of the region into my work using a diverse palette of new, second-hand, and hand-dyed textiles. An integral part of my artistic ethos is consciously incorporating thrifted and second-hand clothing and fabrics. By doing so, I aim to reflect Miami's culture and address the pressing issue of textile waste plaguing our society.

I employ symbolic geometric quilt patterns as a foundation. I transform and manipulate these shapes to create dynamic movement and evoke a sense of transformation. To reflect the essence of the Miami landscape, I use colors inspired by the rich tapestry of its diverse population, complemented by dyes derived from locally sourced plants and rust. My use of unconventional materials, such as neoprene, sequins, and faux leather, pays homage to the pop culture that permeates Miami's artistic identity.

My artistic journey is guided by a profound appreciation for American folk art quilts and a deep admiration for geometric-abstract artists from the mid to late twentieth century. Visionaries like the Gees Bend quilters, Elizabeth Murray, Helen Frankenthaler, Rosie Lee Tompkins, and Gego have left an indelible mark on my creative perspective. Their influences have been powerful motivators, driving me to produce quilts with significant personal symbolism and weaving intricate narratives within their patterns.